In recent years, the recording threshold has been reduced. Just have a computer, fill in the recording software, buy a better recording interface and headphones (if you just want to record a guitar or bass, Line-in is good, even the microphone is not needed), Once you've found the quiet space ready, you can start recording your meticulous work! So convenient and low-cost, the degree of completion is not too bad, then why do we have to record in the studio?
Indeed, some independent productions are completed at home, and some people choose to record in the studio, both of which have advantages and disadvantages. However, if you don't know anything about recording technology, don't have the budget to buy a complete recording device, or lack enough space to fit, you can only use "can be used" equipment, recording in a restricted environment, then, for the end Can you recommend your own music to your work with your head up and confidence?
Recording a recording into the studio is an important milestone for many orchestras and musicians. What is the difference between a home record and a professional studio? It mainly depends on the following four key factors:
First, the integrity of the equipment
Have a computer, recording interface, buy a pair of monitor speakers or headphones that can hear more sound details, fill the recording software and learn to use it, we can do the home recording. Although it is not difficult to get started, in the process of recording the work, you will find that more and more needs may not be satisfied: how to adjust the tone of the guitar of Line-in, why is the main singing sound always distorted? These problems lie in the imperfections of the equipment.
The first level that most orchestras encounter is the recording drum kit. Most people don't have enough radio space and microphones, or even a full set of drum kits. Indeed, it is not impossible to use computer editing. Move the mouse and use Midi to make it quick, accurate and convenient. However, as an orchestra drummer, if the drum sound in the song is not played by himself, but is "made", does the work mean the loss of recording?
The professional studio has the perfect equipment: guitar and bass speakers, pre-stage, jazz drums (small drums and cymbals may even have multiple choices), as well as a variety of microphones for different radios...etc. Sufficient equipment can make the recording project more elaborate, the recorded sound is better, and the richness of the creation can be completely preserved; when the musicians are not restricted by the equipment, they can listen to the sound they want most when recording. Will be able to focus more on their own performance.
The home record can be used as a test of the piano, a production work tape and a simple demo; if you feel that everyone spends too much time and training time together in the practice room, the home record can also allow everyone to work at home and Share files with each other. However, when your ears are more and more critical, and you are beginning to pursue the sound, the integrity of the arrangement and the layering of the whole song, it is absolutely necessary to record in the professional studio! Unless you have a wealth of financial resources, you can lose a pre-stage, vacuum tube head, a complete drum kit and all the radio microphones... and more! Before that, you must also know which equipment you buy "this", which is another advanced threshold: professional recording knowledge.
Second, space and radio effects
Discussing "space" in the recording project does not seem to be a problem, but it is a very important part of the impact of sound recording. The radio effect affected by the space condition is actually beyond your imagination. For example, the height of the ceiling, whether the spatial pattern is square or not, whether the position of the beam and column affects the reflection of the sound, etc. are all basic elements that must be considered in the professional recording process. Especially for recording drum kits and lead singers.
The studio is not as big as possible, but should consider the need for different sound recordings. Where is the drum kit placed in the studio, and the sound received is optimal (including the location of the microphone of the Room)? Is it OK to spread the sound-absorbing cotton over the entire wall and ceiling? Does the floor material affect the radio? These questions are details that should not be underestimated. Despite the soundproofing equipment, there are still some restrictions on recording, such as accidentally receiving current sounds during the vocal recording, mechanical sounds of cold air running, or actual noise that the human ear can't feel, etc. Assessments may be overlooked by the average person, and these are the necessary expertise in the studio.
A good recording environment allows the musician to express himself more realistically, without being limited by the trivial matters of the sideline; in addition, the music we hear while playing is not 100% representative of the computer. Sound, and how can we minimize the difference between the two? Or how can you express your own voice? The processing of space and radio effects in a studio is believed to be absolutely professional and in place.
Third, technical expertise
The above two points are about the advantages of the studio from the hardware side, then we turn the focus to the technical level. As a musician and musician, creating music and playing a musical instrument may be your strength. However, if you are separated by a mountain, the "recording project" is also an unfathomable profession. Its breadth and depth are not learned overnight. It's impossible for you to flip through magazines and reference books and smash the wires into a single speaker to record a goose bump.
Have you ever thought about it: "Isn't recording just recorded in the computer?" Then, after doing it with great enthusiasm, I couldn't understand why I didn't hear what I wanted. This is the necessity to record in the studio! For example, when recording a drum set, how many microphones should I use to collect the sound? For the size drum, Hi-Hat, different Tom and é’¹, which brand and which model of microphone is best for radio? How to position and angle to get the best results for radio and crosstalk? For these technical professions, most drummers don't know everything, so the recordings require the assistance of a live sound engineer, and the musicians concentrate on their work: playing the instrument.
It takes a lot of patience and time to practice the piano. Creation is not an easy task of sitting on the table. Therefore, instead of spending the same spirit and time to study another major, it is better to play the piano. Sing well, do what you should do, and leave it to the sound engineer!
Fourth, the adjustment of mentality
For recording needs, you may want to leave your own work at the beginning, or allow the audience to link to the musicians and orchestras outside of the performance; however, the recording is also a review of yourself. A good way to promote the growth of the group. Maybe you haven’t listened carefully to your voice and practiced countless times, but you still don’t know what the members are doing. Or you may think that the pitch of your singing is in place, the impression is accurate, but you are being smashed during recording.ç‹ ç‹ ,, body is not finished. I didn't go into the studio, I couldn't feel these setbacks, and I couldn't make progress. The recording experience made the musicians more humble and more honest with their own music.
For the orchestra, it is very challenging for the members to work together into the studio to complete a piece of work (whether it is a single, EP or album). The inevitable conflicts and disputes in the process, the demands and expectations of themselves and others, and the sense of accomplishment of the final product, the orchestras that have experienced these storms and are more frustrated and not knocked down (dissolved) can be more mature. The attitude moves into the next milestone.
When we understand the importance of recording, some people are already eager to try and want to plan their own recording schedule as soon as possible! Don't worry, "How to find a studio that suits you" is also an important topic. How many studios are there? From the size of the space, from the equipment resources, from the sound engineer style to the characteristics of the work, choose multiple and rich, if you have no clue, or want to know more about several studios, put them into the future cooperation list.
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